No one compete with Madhuri

Bollywood film industry’s one of the most beautiful, attractive, glamorous actress Madhuri Dixit, is back home and had made a movie Main Madhuri Dixit Banna Chahti Hoon. She said it feels good when wants to become like you and when they remember you. But for all this recognition you have to work hard in life and to achieve the recognition.

Madhuri Dixit

Movie Main Madhuri Dixit Banna Chahti Hoon is directed by Ram Gopal Verma, it is a story about a girl who wants to be Madhuri Dixi. Because this name stands so much in the industry, there is no one who can compete Madhuri. She is charismatic dance, acting, everything thing is amazing.

There are different batches of actresss like Preity Zinta, Rani Mukherjee, Sridevi, Aishwarya Rai. Preity Zinta is spunky, Rani Mukherjee is cute, Aishwarya Rai is gorgeous, but there is no one like Madhuri, these all words are less for her talent.

Now a day, Aishwaya Rai is a top actress because Madhuri is not doing any movie, but in the movie Devdas directed by Sanjay Leela Bhansali, comparing Aiswarya with Madhuri will not be fair enough. Madhuri has that spa which brings magic in the environment.

Madhuri’s friend Preity

Every day we accost the news of fights and break up, so when we come across the fact of close friendship it looks surreal. It has not been known till today that actresses Madhuri Dixit and Preity Zinta had been good friends.

Madhuri and Preity had become good friends when they had acted together in a film few years ago. When Madhuri Dixit married Nene she went to US, there their friendship grew when Preity started spending more time in US. When Madhuri had come to know that Preity was also in US, she had called her over to her place. Preity never ever denied for the dinners.

They had acted together in ‘Yeh Raaste Hain Pyar Ke’ and from then stayed in touch always. Hats off to their friendship in foreign land.

Madhuri and many more stars in Mahabharat

A big crew of actors will be seen in the forthcoming movie “Mahabharat” under the banner of B. R. Chopra. The crew of the actors will be as: Amitabh Bachchan, Manoj Bajpai, Kabir Bedi, Juhi Chawla, Dharmendra, Madhuri Dixit, Kamal Hassan, Meera Jasmine, Karan Johar, Ajith, Kajol, Aamir Khan, Salman Khan, Shahrukh Khan, Trisha Krishnan, Madhavan, Mohan Lal, R. Siddharth Narayan, Naveen Nischol, Rajnikant, Shreya, Jackie Shroff, Sridevi, Preity Zinta, Chiyaan Vikram, Nagarjuna Akkineni and Sohail Khan.

Amazingly the three khans will also join each other in the movie.Big B is known to be an icon. Big B may also play the role of ‘Bhishma’ in Ravi Chopra’s film version of “Mahabharata”. Ravi Chopra is all set to make a film version of Mahabharata under his home production banner B.R Films. The television version of Mahabharata was also launched by B.R Films and went onto become extremely popular worldwide. The buzz in the industry is that Ravi wants Amitabh to play the role of ‘Bhishma’ and Rani Mukherjee to play the role of ‘Draupadi’ in his film version of Mahabharata. This six hour movie which will be the longest film in the history of Bollywood. But Chopra is quick to clarify this aspect saying that he will release it in two parts-part one on one Friday and the second part on the other one. Chopra intends to work on both films simultaneously and has allotted a budget of Rs.150 crores for both the parts together. The film version will also have a lot more glamour and first class special effects.

Madhuri’s flick Yeh Raaste Hain Pyar Ke

Yeh Raaste Hain Pyar Ke, directed by Deepak Shivdasaanii, tells the story of Vicky (Ajay Devgan), a thief, habitual gambler, who believes that the colour of money will change his dreams one day for sure. He had no emotions in life, but his life changed dramatically one day.

It tells the story of Neha (Madhuri Dixit), a simple, beautiful, innocent married girl. She knew only one destination of life that is love for her husband. But things became different.

The film also tells the story of Saakshi (Preity Zinta), who is a true friend, but impulsive by nature, lethal in her relationship with the man she loves. She believed, her love for her man was not only a journey, but the ultimate destination.

The movie is an amalgamation of three successful flicks Khilona (Sanjeev Kumar), Dushman (Rajesh Khanna) and Daag (Rajesh Khanna, again!). The plot is not new, but the treatment is. The director and his team of writers came up with certain interesting twists and turns that give an altogether fresh look to the story. And the outcome is motivating!

Director Deepak Shivdasaanii has handled a couple of sequences with aplomb. Though the film gives the impression of being a routine love triangle. The climax is hackneyed, but gains momentum the moment Madhuri comes to terms with reality.

Sanjeev-Darshan’s musical score was passable, although at least two numbers get a boost due to the picturisations ‘Jo Pyar Karta Hain’ and the title track, which was picturised in Malaysia. Cinematography was alright.

The movie totally belongs to Madhuri Dixit, who delivers an incredible, flawless performance. The actress looks every bit the character she portrays and proves yet again that she is a powerhouse of talent. There’s no denying that her performance uplifts the goings-on to a huge extent.

Ajay Devgan is just about okay. Preity Zinta is mediocre as well. Sunny Deol, in a special appearance, is lovable. Amongst character artistes, Vikram Gokhale and Smita Jaykar in a short role stand out.

On the whole, Yeh Raaste Hain Pyar Ke was a pleasant surprise for those who were not expecting much from this enterprise.

Madhuri would Reign Less Now

These are desperate times for Bollywood heroines. In the absence of
work in a recessionary market and with duds outnumbering hits, the
faith filmmakers had on fresh talent is beginning to wear thin, they
are signing whatever film comes their way. Notably, many leading
ladies are willing to be paired with relative newcomers many years
younger, just in order to keep themselves busy.

However, the compulsions of the past do not apply to the present.
Conditions in Bollywood have changed to such an extent that no heroine
today can remain at the top for more than four to five years. Compare
this to the career span of a yesteryear dream girl, like Hema Malini
or Rekha which lasted for almost two decades. The next generation of
Sridevi and Madhuri Dixit could reign for 15 years. Their successors,
Rani Mukherji and Preity Zinta have been around for just about 10
years and are now on the way out. Their replacements, such as Kareena
Kapoor, Bipasha Basu and Priyanka Chopra are in for still tougher
times as already the likes of Katrina Kaif and Deepika Padukone are
snapping at their heels.

But look closer and a different picture emerges. The current ‘older
women, younger men’ syndrome on screen may actually be benefiting the
heroes more than the heroines. More than the heroines and heroes, it
would appear that the filmmakers are themselves caught in an
intractable situation. All the top-ranking stars with saleable names
(the three Khans, Akshay Kumar and Hrithik Roshan) have out-priced
themselves and cut down on work.

But since audiences have become mature enough and are receptive
towards films that attempt to push the envelope in unconventional
ways, nobody is complaining. Effectively, Hindi cinema is now more
vibrant and less cliché ridden than it was till about a decade ago.

It is this argument of the producers that has put many of our leading
ladies in a spot. They suddenly find themselves with no takers among
those they had once worked with and to make matters worse, newer
filmmakers are having no need for heroines, whether young or old.

So we are treated to a 36-year-old Tabu being wooed by Kunal Kapur in
Meenaxi — A Tale of Three Cities. Likewise, Vidya Balan was paired
with a younger Shahid Kapur in Kismat Konnection, Kangana Ranaut with
Adhyayan Suman in Raaz — The Mystery Continues and Sushmita Sen with
real-life love interest Randeep Hooda in Karma Aur Holi. Now Konkona
Sen Sharma will be seen with Ranbir Kapoor in Wake Up Sid while Rani
Mukherji shall be teaming up with Shahid Kapur in Yashraj Films’
hitherto untitled film on cricket.

One reason this role reversal seems to be working with audiences is
that society itself has become accommodating towards liaisons of
younger men and older women. Another reason could be that today’s
heroines are exceptionally figure conscious and with their
well-maintained bodies, manage to look much younger than they really
are.
Ultimately, it boils down to public perception. After all, stardom is
nothing but the projection of an image that conforms to the collective
fantasy of masses.